一个女酒鬼的肖像 Bildnis einer Trinkerin. Aller jamais retour (1979)1080P [中英字幕] [5.86G]

一个女酒鬼的肖像 Bildnis einer Trinkerin. Aller jamais retour (1979)

ShepurchasedaticketofnoreturntoBerlin-Tegel.Shewantedtoforgetherpast,orrathertoabandonitlikeacondemnedhouse.Shewantedtoconcentrateallherenergiesononething,somethingallherown.Tofollowherowndestinyatlastwasheronlydesire.Berlin,acityinwhichshewasacompletestranger,seemedjusttheplacetoindulgeherpassionundisturbed.He...(展开全部)ShepurchasedaticketofnoreturntoBerlin-Tegel.Shewantedtoforgetherpast,orrathertoabandonitlikeacondemnedhouse.Shewantedtoconcentrateallherenergiesononething,somethingallherown.Tofollowherowndestinyatlastwasheronlydesire.Berlin,acityinwhichshewasacompletestranger,seemedjusttheplacetoindulgeherpassionundisturbed.Herpassionwasalcohol,shelivedtodrinkanddranktolive,thelifeofadrunkard.Herresolvetoliveoutanarcissistic,pessimisticcultofsolitudestrengthenedduringherflightuntilitreachedthelevelatwhichitcouldbelived.Thetimewasripetoputherplansintoaction.ThemovementoftransformationinthisfilmhastheoppositetrajectoryasthepreviousfilmMadameX.Therewomencomefromveryspecificbackgroundstojourneyintotheunknown,hereawomanwithoutanamecomesfromanunknownplaceandengagesinamostspecificsight-seeingtourofBerlinbasedonherinterestinalcoholicbeverages.Inasensethisprojectalsorepresentstheexplorationoftheunknown,anddeathanddestructionawaitherequallyattheendofeachjourney,thattotheextremeouterregionsofadventureaswellasthatoftotalnarcissisticretreatintotheself.

• 导演乌尔里克·奥廷格
• 主演塔贝亚·布卢门谢因 / 玛格达琳娜·蒙特祖玛
• 类型剧情
• 上映日期1979-11-09
• 制片国家/地区 :西德 丨 影片时长：108 分钟
• 豆瓣ID : 2059612 IMDbID : tt0078861
• 又名 :Portrait of a Female Drunkard / Ticket of No Return / 单程车票 / Bildnis einer Trinkerin

7.9 豆瓣评分

剧情介绍

ShepurchasedaticketofnoreturntoBerlin-Tegel.Shewantedtoforgetherpast,orrathertoabandonitlikeacondemnedhouse.Shewantedtoconcentrateallherenergiesononething,somethingallherown.Tofollowherowndestinyatlastwasheronlydesire.Berlin,acityinwhichshewasacompletestranger,seemedjusttheplacetoindulgeherpassionundisturbed.He...(展开全部)ShepurchasedaticketofnoreturntoBerlin-Tegel.Shewantedtoforgetherpast,orrathertoabandonitlikeacondemnedhouse.Shewantedtoconcentrateallherenergiesononething,somethingallherown.Tofollowherowndestinyatlastwasheronlydesire.Berlin,acityinwhichshewasacompletestranger,seemedjusttheplacetoindulgeherpassionundisturbed.Herpassionwasalcohol,shelivedtodrinkanddranktolive,thelifeofadrunkard.Herresolvetoliveoutanarcissistic,pessimisticcultofsolitudestrengthenedduringherflightuntilitreachedthelevelatwhichitcouldbelived.Thetimewasripetoputherplansintoaction.ThemovementoftransformationinthisfilmhastheoppositetrajectoryasthepreviousfilmMadameX.Therewomencomefromveryspecificbackgroundstojourneyintotheunknown,hereawomanwithoutanamecomesfromanunknownplaceandengagesinamostspecificsight-seeingtourofBerlinbasedonherinterestinalcoholicbeverages.Inasensethisprojectalsorepresentstheexplorationoftheunknown,anddeathanddestructionawaitherequallyattheendofeachjourney,thattotheextremeouterregionsofadventureaswellasthatoftotalnarcissisticretreatintotheself.

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筆記：大心給「如何使你家的品牌酒商品引爆話題而熱銷」的那段淺顯易懂的商品拜物教分析。今日一再被到處沿用的那種無比天真關於電影的「現實vs.虛構」之區分一開始就忽略的事實是：人類的「現實，reality」從來就並非「真實／實在，real」。那被人們稱為「現實（女主角踏上了一路喝到掛之旅一下飛機甫一出關，這個詞便在那段不正經的機場廣播中出現，這段廣播同時也就為本片一路狂到底的風格定調）」的領域內部本身...筆記：大心給「如何使你家的品牌酒商品引爆話題而熱銷」的那段淺顯易懂的商品拜物教分析。今日一再被到處沿用的那種無比天真關於電影的「現實vs.虛構」之區分一開始就忽略的事實是：人類的「現實，reality」從來就並非「真實／實在，real」。那被人們稱為「現實（女主角踏上了一路喝到掛之旅一下飛機甫一出關，這個詞便在那段不正經的機場廣播中出現，這段廣播同時也就為本片一路狂到底的風格定調）」的領域內部本身早就已經含有虛構的成分在，商品拜物教（將符號虛構之事物視為事物內在之自然屬性）是一例，被社會所區分出來的「對社會沒有用的人（比如酒鬼）」、以及加諸於女性身上的「女人應該是甚麼」，更是一例。(展开)

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